Sonic Urbanism – Contents
Listening to Non-Human Life is the third publication in the Sonic Urbanism series edited by &beyond collective for Theatrum Mundi. In this edition, contributors listen beyond the cacophony of human noise to hear the voices of non-human agents. From parrots and pigeons to crystals and electrical substations, the complex depth and variety of city soundscapes reveal new ways to understand life among urban ecologies.
Listening to Non-Human Life is designed to be read and heard across print and digital formats.
Preface
&beyond collective
Introduction
John Bingham-Hall
The State of Things
Sara Rodrigues
Attuning to Disturbance
Towards a multi-species sonic ecology
Nicola Di Croce
Critical Disturbance
Nastassja Simensky
Lockdown Sonics
A conversation
Matilde Meireles and Gascia Ouzounian
The Background Buzz
Listening to electrical substations
Juan Guillermo Dumay and Ruth Oldham
Communities of Electromagnetic Resistance
More-than-human responses to the wireless world
Matt Parker
Interspecies Intersections
Natasha Nicholson
Listening With
A podcast of sound strategies for survival
Listening With collective
Radio Gardening in Lagos
T-Shine-baba, Tushar Hathiramani, Monaí de Paula Antunes, Niko de Paula Lefort, Seetal Solanki
Your Mating Call Is Important To Us
The Sousrealists
Listening to Pigeons
A history of an avian typology
Ahmed bin Shabib and Rashid bin Shabib
For an Ec(h)o-politics of Noise
The protest songs of “invasive” parakeets
Nuno da Luz
When Parrots of Tehran Confess
A sonic relationship in three acts
Sepideh Karami and Elahe Karimnia
More Than Human Publics
John Bingham-Hall
Conclusion
Sonic urbanism(s) in practice
John Bingham-Hall
Sonic Urbanism: Listening to Non-Human Life
£8.5
TM / &Beyond Collective
London, 2021
Paperback
118×205mm
2 colours
ISBN 978-1-9161864-5-3
The Political Voice is the second publication in the Sonic Urbanism series edited by &beyond for Theatrum Mundi.
Published in 2020, the contributors to this issue explore the role of the human voice in defining public space as a contested political arena. From chanted shout or song to overheard speech and even silence, voices reverberate through these pages allowing us to hear our cities anew. The Political Voice is designed to be read and heard across print and digital formats.
Introduction
George Kafka, &beyond collective
As Far as the Ear Can Hear
Listening to the social city
Grégoire Chelkoff
Polyvocality
On the mechanical separation of body and voice
Eleni Ikoniadou
The Movement Exists in Voice and Sound
Political reverberations between Damascus and Athens
Kareem Al Kabbani and Tom Western
The Cries of London
On costers, pedlars, hawkers,
fishwives, tinkers and barrow boys
Duncan MacLeod
Resonant Bodies
A discussion about listening in museums
Eric de Visscher and Gascia Ouzounian
The Commons and the Square
A Politics of Resonance
Ella Finer
Post-Conflict Soundings
Noise and voice in Abidjan
Fabien Cante
Scoring the Social Voice
Lin Chi-Wei’s “Tape Music”
Jonathan Packham
But Can It Talk Back?
Conversations with the city
John Bingham-Hall with Alexandra Lacroix and Saskia Sassen
Sonic Urbanism: the Political Voice
£6.50
TM / &Beyond Collective
London, 2020
Paperback
118×205mm
88pp
2-colours
ISBN 978-1916-186415